大眾攝影

埃斯特拉尔德黑兰独立:三影堂:齊物——錢永寧個展

亚冠 德黑兰独立对阿尔艾因 www.dzgydo.com.cn 2019-9-24 GF

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齊物——錢永寧個展

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藝術家:錢永寧

策展人:鐘林春

主辦:三影堂廈門攝影藝術中心

開幕時間:2019年9月22日 15:00

藝術對談:2019年9月22日 16:00

展覽時間:2019年9月22日-10月22日,9:30-17:30(周一閉館)

展覽地點:三影堂廈門攝影藝術中心 (廈門市集美區杏林灣營運中心,2號樓301)

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前言

文/鐘林春

初為繪事的錢永寧,也做設計,卻在攝影中,終找到最合心的影像表現方式。近作《存在》系列,就是他的一個成果,一部嘗試集。

在這一系列里,他拍攝的,常是野草。無人注目,但頑強不息,是這樣的生命之存在。借著野草,他學著以冷靜的視角,來觀看萬物生命的循環不息。他說,“野草就是我吧,雖然處于都市”。同生天地間,野草所需的那一點土,一點陽光雨露,于他,就是藝術。他可以在這里,真誠地體驗著一切,再傳遞出來,如能喚起一些人的同感或思考,就很滿足了。

在新作中,他將所拍的野草,與其他的肖像、或物并置,共成一幅更大的作品。并置的原則,是“左右互相襯托,意境相通”。如此,拍只是一個初始的記錄,之后還有編織,直到出來合心的圖像。這確實是一個好的方法,因單一張圖像的含義常就是模糊的,但經由并置二三或更多張后,彼此間,會交互確認出一種心緒。

如此,當問及創作中遇到的最大挑戰時,他說來自是否達意,是否單純與真。為抵此,他一再練習的,是如何保持思緒自然流淌。但有雜念,氣韻就不得平了。昔者,如《莊子》中的梓慶,削木為鐻之前,必先心齋七日,忘吾而后有所為。藝術之于心的滋養,不即如是?我們亦隨時的,可借此,訓練我們的心,觀察心,看干擾的是什么。

《齊物》一展,如此亦可說,是錢永寧的一個修持。我們可感受到,其中有甚默契者,一氣呵成的。但也有,是看過,心頭偶一結的。他將它們,多少也保留了下來,得說,真是一種誠懇,乃至是一種提醒。如此,更讓人期待,他的問物,將抵于何樣的境界。

但潛行也,或許寂寥,必有回響。

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Yongning Qian Solo Exhibition

From Infinity to One

Artist: Yongning Qian

Curator:Linchun Zhong

Organiser: Three Shadows Xiamen Photography Art Centre

Opening: Sep 22, 2019 15:00

Talk: Sep 22, 2019 16:00

Duration: Sep 22-Oct 22, 2019? 9:30-17:30 (Close on Mondays)

Venue: Three Shadows Xiamen Photography Art Centre (No. 301, Building 2, Xinglinwan Business Center, Jimei District, Xiamen)

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Before making any photographs, Qian Yongning was a designer and painter. As a result, “Existence,” his most recent project, contains a number of moments where the three media seem to bleed into one another – it is a series of attempts to bridge the gaps among them and the resulting reverberations. ?

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?In the series, Qian often trains his lens on wild grasses – although usually unnoticed by passersby, Qian endows them with a liveliness and tenacity, and he says they have helped him calmly observe the cycle of life. “I’m just like these wild grasses, even though I live in the city,” he said. Living under the same sky, art for Qian is as important as mud for wild grasses. Through art, he can experience everything in good faith and then pass on his impressions to provoke similar feelings and thoughts in others. In this way, he is satisfied.?

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In Qian’s new work, he juxtaposes photographs of his beloved grasses with portraits or still lives to form a greater project. He creates his pairings by “arranging those photos that elevate each other and share a similar conception.” Shooting forms merely an initial raw record, which needs keen editing and sequencing to form the resulting visual language. Since the meaning of a single image is often limited and vague, putting images together helps Qian create a result that carries more emotion.?

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When asked about the greatest challenge faced during his creation process, Qian said it is creating a visual languages with pure intention that accurately reflects himself. To try to achieve such a thing, Qian rigorously practiced keeping his thoughts natural, fluid, and undisturbed. He models himself after the craftsman Zi Qing, a figure in the writings of Zhuangzi who calms his heart for seven days and forgets his own existence before entering the woods to make a bell stand. Art nurtures Qian’s heart, allowing him to observe what is actually disturbing his mind.

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Similar words can be said about the exhibition “From Infinity to One,” which is the result of Qian’s piety. In this work, we can feel sparkling chemistry alongside a well-paced melancholy. He keeps both of them in his work – a kind reminder to make the audience wonder where his existential questioning will lead.

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As a stalker of the ultimate truth, Qian’s work might seem silent at times, but it will eventually echo thunderously.

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Text/Linchun Zhong

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·錢永寧 Qian Yongning

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藝術家

上海工程技術大學藝術與設計學院副教授,碩士生導師

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潛心于藝術領域多年后,錢永寧發現不同類型的藝術之間并沒有明顯的界限。他沒有忠實地再現那些真實的生活細節,而是試圖通過創造和巧妙地處理藝術形象和人物來揭示那些普通場景背后的內心世界,這些形象和人物最能詮釋他對生活和世界的感受,態度和理解。

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錢永寧的攝影作品曾多次在中國、美國、法國、英國、日本、希臘展出。

他在自己的實踐領域中出版了多本成功專著:《鏡相-非常之城》(攝影集),《STATUS》(攝影集),《21世紀優秀青年藝術家-錢永寧》。

他的許多作品被當地和國外博物館,美術館,各種機構和藝術收藏家收藏。

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錢永寧獲得的眾多獎項包括(但不限于):

藝術攝影獎銀獎 (英國倫敦),攝影大師杯提名 (美國洛杉磯),國際美術攝影大賽評審團優異獎 (法國巴黎),Center Forward藝術攝影展榮譽獎 (美國柯林斯堡美術攝影中心)

除了攝影作品之外,錢永寧的繪畫作品也獲得過多個國家獎項。

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部分個展:

2011年“非?!こ鞘小鼻濫跋褡髕氛梗ㄖ泄?,上海,M50.澳大利亞米奧藝術空間)

2011年“非?!こ鞘小鼻濫跋褡髕氛梗ㄖ泄?,上海,虹橋當代藝術館)

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近三年部分群展:

2019年《Sightseeing·Landscape》,第七屆國際攝影年度展(美國,辛辛那提)

2018年《城市表情》系列,中國風景40年—《景觀·新風景》攝影展(廣東,東莞影像中心)

2018年《物語》系列,第二屆天水國際攝影邀請展(甘肅,天水會展中心)

2017年《景·境》、《觀景》系列,“尊紙”中國當代藝術大展澳洲展(澳大利亞,阿德萊德)

2017年《觀景》系列,上海當代攝影國際論壇邀請展(上海,墨奈藝術收藏中心)

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Artist

Associate Professor, Postgraduate Student Supervisor, School of Art and Design, Shanghai University of Engineering Science.

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Having immersed in the realm of art for so many years, Qian finds there exist no clear boundaries between different types of art. Instead of faithfully reproducing those real-life details, he has been trying to reveal the inner world behind those ordinary scenes, by creating and manipulating artistic images and figures which can best interpret his feelings, attitudes, and understanding of life and the world.

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Qian's photographic work has been frequently exhibited in China, US, France, UK, Japan, Greece. He has had a number of successful books published in his field of practice: Mirror (photobook), Status (photobook), 21st Century Outstanding Young Artists – Qian Yongning. Many of his artwork pieces have been collected by museums, art galleries, various institutions, and art collectors locally and internationally.

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Qian's numerous awards include (but not limited to):

2nd Prize, Fine Art Photography Awards (London, UK),

Nominee, Photography Masters Cup (Los Angeles, US)

Juror Awards of Merit, International Fine Art Photography Awards (Paris, France)

Honor Award, Center Forward Exhibition at The Center for Fine Art Photography (Fort Collins, the US)

In addition to his photographic work, Qian also received multiple national awards in his gouache and oil paintings.

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Selected Solo Exhibitions

2011? "Very City" Qian Yongning Image Exhibition, Shanghai Hongqiao Museum of Contemporary Art, Shanghai, China.

2011? "Very? City" Qian Yongning Image Exhibition, MEOU Art Space, M50 Art District, Shanghai, China.

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Selected Recent Group Exhibitions

2019? "Sightseeing. Landscape", The 7th International Photography Annual, Manifest Gallery, Cincinnati, the US.

2018? "City Expression" Series, Chinese Landscape for 40 Years - "Landscape. New Sights" Photography Exhibition, Dongguan Image Center, Guangdong, China.

2018? "Monogatari" Series, The 2nd Tianshui International Invitational Exhibition, Tianshui Convention and Exhibition Center, Gansu, China.

2017? "Viewing" Series, "Valued Paper" - Exhibition of Chinese Contemporary Art in Australia, Adelaide, Australia.

2017 "Viewing" Series, Shanghai International forum of Contemporary Photography Invitational Exhibition, Monet Art Collection Center, Shanghai, China.?

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